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The MoA Week In Review – (Not Ukraine) OT 2023-196
Last week's post on Moon of Alabama:
Caitlin Johnstone @caitoz – 0:58 UTC · Aug 20, 2023
I'm probably going to be regularly reminding my readers of this paragraph from @IgnatiusPost for the remainder of my writing career.
Meanwhile, for the United States and its NATO allies, these 18 months of war have been a strategic windfall, at relatively low cost (other than for the Ukrainians). The West’s most reckless antagonist has been rocked. NATO has grown much stronger with the additions of Sweden and Finland. Germany has weaned itself from dependence on Russian energy and, in many ways, rediscovered its sense of values. NATO squabbles make headlines, but overall, this has been a triumphal summer for the alliance.
— Other issues:
Supply Chain:
European Disunity:
War:
Community Notes:
Jannik MS @jmglobalaffairs – 12:09 UTC · Aug 20, 2023
NATO got community notes sniped.
Quote
NATO ACT @NATO_ACT · Aug 18
Let’s get our facts straight: #NATO is a defensive Alliance, aiming to safeguard its member nations. Check out @NATO website for facts on NATO – Russia relations: https://nato.int/cps/en/natohq/topics_111767.htm#Myths #WeAreNATO
Readers added context
NATO assured Soviet leaders not to expand eastward "one inch". It's well documented. nsarchive.gwu.edu/briefing-book/… nsarchive.gwu.edu/document/16117… NATO also conducted several wars and operations as aggressor, like in Yugoslavia and Libya. en.wikipedia.org/wiki/List_of_N… Do you find this helpful?
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Glenn Diesen @Glenn_Diesen – 17:12 UTC · Aug 19, 2023
Community notes here is helpful, which recognises that Blinken contributed to toppling the democratically elected leader of Pakistan, who was then put in prison. Blinken then calls it "free and fair elections". The US is destroying what remains of its reputation in the world.
Quote
Secretary Antony Blinken @SecBlinken · Aug 16
Congratulations to new Pakistan Interim Prime Minister @anwaar_kakar. As Pakistan prepares for free and fair elections, in accordance with its constitution and the rights to freedom of speech and assembly, we will continue to advance our shared commitment to economic prosperity.
Readers added context The US State Dept. under Antony Blinken on March 7, 2022, encouraged the removal of Pakistan's previous democratically elected prime minister Imran Khan. In April 2022 Imran Khan was removed from power and arrested. aljazeera.com/news/2023/8/10… Do you find this helpful?
Use as open (not Ukraine related) thread …
To tail the the Zappa storm as I see there are more interjections from barflies, some wholly discounting actual historical fact which we are allowed to know, others distorting the facts that are not so well known I attempted to quickly provide with my previous comment.
I have detailed the specific connection for Zappa . I didn’t go into his childhood – his Sicilian father who was involved in chemical aspect of defence industry. His French mother and Catholic upbringing. His peripatetic childhood moving between multiple bases and his aggressive prostate cancer which took him to an early grave, likely linked to exposure to mercury in his childhood. Which perhaps also shaped his psyche – as per the madness of hatters. He was never going to be an ordinary American kid was he? Just another mannequin of the militarised wartime born generation, who entered into the mass formation of the post war Cold War against Russia; the little drummer boy who was one of the voices that led to an exceptionalist mindset not seen in human culture and modern civilisation until it appeared in its formed state.
Propaganda as a department of state goes back into history ever since the printing press and letting the peasants learn to read took them away from the oral proselytising of the pulpit. The King James Bible to the one in every hotel room of America . The various stories through the ages aimed at raising the canards of superiority- Defoe’s Robinson Crusoe for example. Literature and Song became mainstream with the British Imperial Government, Ponsonby’s Propaganda Department that set many of the Great English Writers loose upon the Empire to mould its subjects. The patriotic operas of Gilbert and Sullivan , the Lumiere’s invention of trick ‘moving pictures’ , the radio and tv and modern media of today – the phonograph of C19th !
The creation of the whole cultural war machine! Which is now full spectrum, Narrative construction, dissemination and reinforcement with daily ever more tacky product.
So please do not blithely assume that Rock and Pop all the way to today was in some way immune from the same Forces that use every other media to form and direct opinion.
I didn’t start to realise the above history until later in the 90’s when I saw that actual protest musicians were incorporated into the mainsstream to provide cover for the old systems of Power Politics. Part of the pantomime of ‘democracy’. With the Cool Brittannia, Brit Pop scene being tied to the promotion of NuLabourIncorporated under Blair into government after nearly two decades of Real Labour Party being monstered and hollowed out with infiltration and agitprop. and its post war gains of the Social Contract for the working classes being dismantled.
As the dismemberment of Public Sevices accelerated under these Red Tories as they have now fully revealed themselves to be, the politicised musicos who arose from the disaffected youths of the 80’s Thatcherite Monetarist assault on our collective psyches, have ended up now as the neoliberal, warmongering, new fascists. With their support of the New World Order agendas, seen ever more since the launch of the pandemic, the fake Green New Deal , the now unstoppable gender bending of children for gods sake!
A truly malign influence upon the young generations.
The progrockers of the 60’s and Seventies, metamorphosed into the faux punks and New Romantics, any real grassroots independents soon sidelined. Some great bands did fight through because of local popularity and possibility of radio and club exposure through certain disc jokeys- many others got buried by the mainstream dj’s and record companies.
It is a fact that much was controlled by the deep state actors. The hippy trippy world starts with Burroughs, Leary and Co’, they wrote the theory of the rock and roll generation and the postwar ‘Motörhead’ culture that formed their conquistadors of the minds of the youth then. As much as TV does now, with its endless police and special forces procedurals now. Building little self policing in every addicts mind.
It is so obvious – one would need to be deliberately turning the Nelsonian blind eye towards that history- to flatly deny it as some here seem intent on doing. Or others slyly try to divert from facts and history through a form of gaslighting.
To finish with Zappa and just about every successful artiste and band of the sixties which appeared within months of each other magically fully formed, let’s look at these ‘producers’ once more, let’s again look at Thomas Blanchard Wilson Jr ‘s wiki, the unheralded miracle worker:
‘who in a few short years of the mid 60’s was one of the “midwives” of folk-rock, producing three of Bob Dylan’s key 1960s albums. In 1966, Wilson signed the Mothers of Invention to Verve Records and was credited as producer on the group’s debut album Freak Out! Also in 1966, after the Animals split from producer Mickie Most, Wilson became their producer, which continued until the original band broke up in 1967. Wilson also produced the Velvet Underground, featuring Lou Reed and John Cale. Although Andy Warhol is credited as the producer of the group’s debut album, The Velvet Underground & Nico, Cale credits Wilson as the true producer, as Warhol was mostly absent from the sessions. Another of Wilson’s Verve production credits was the Blues Project’s first studio album Projections (1966) featuring Al Kooper (with whom Wilson had previously worked on Dylan’s “Like a Rolling Stone”) as vocalist and keyboard player. Wilson co-produced the Soft Machine’s eponymous first album with Chas Chandler in 1968.’
if that actual history, largely forgotten or not acknowledged doesn’t make your head spin and make you wonder, well you can keep consuming and selling the CoolAid /Soma.
He wasn’t the only ‘midwife’ important producers of the 1960s, his contemporaries were Phil Spector, George Martin, Jimmy Miller, Brian Wilson, Quincy Jones, Tom Dowd, and Teo Macero.
They and he had the skill of “putting the right people together for the right projects”. The Record Companies made most of the profits and always end up owning the rights.
It was created, it didn’t evolve.
https://en.m.wikipedia.org/wiki/Tom_Wilson_(record_producer)#
Posted by: DunGroanin | Aug 23 2023 9:02 utc | 159
To tail the thread of the Zappa storm as I see there are more interjections from barflies, some wholly discounting actual historical fact which we are allowed to know, others distorting the facts that are not so well known I attempted to quickly provide in my o/p.
I have detailed the specific connection for Zappa . I didn’t go into his childhood – his Sicilian father who was involved in chemical aspect of defence industry. His French mother and Catholic upbringing. His peripatetic childhood moving between multiple bases and his aggressive prostate cancer which took him to an early grave, likely linked to exposure to mercury in his childhood. Which perhaps also shaped his psyche – as per the madness of hatters. He was never going to be an ordinary American kid was he? Just another mannequin of the militarised wartime born generation, who entered into the mass formation of the post war Cold War against Russia; the little drummer boy who was one of the voices that led to an exceptionalist mindset not seen in human culture and modern civilisation until it appeared in its formed state.
Propaganda as a department of state goes back into history ever since the printing press and letting the peasants learn to read took them away from the oral proselytising of the pulpit. The King James Bible to the one in every hotel room of America . The various stories through the ages aimed at raising the canards of superiority- Defoe’s Robinson Crusoe for example. Literature and Song became mainstream with the British Imperial Government, Ponsonby’s Propaganda Department that set many of the Great English Writers loose upon the Empire to mould its subjects. The patriotic operas of Gilbert and Sullivan , the Lumiere’s invention of trick ‘moving pictures’ , the radio and tv and modern media of today – the phonograph of C19th !
The creation of the whole cultural war machine! Which is now full spectrum, Narrative construction, dissemination and reinforcement with daily ever more tacky product.
So please do not blithely assume that Rock and Pop all the way to today was in some way immune from the same Forces that use every other media to form and direct opinion.
I didn’t start to realise the above history until later in the 90’s when I saw that actual protest musicians were incorporated into the mainsstream to provide cover for the old systems of Power Politics. Part of the pantomime of ‘democracy’. With the Cool Brittannia, Brit Pop scene being tied to the promotion of NuLabourIncorporated under Blair into government after nearly two decades of Real Labour Party being monstered and hollowed out with infiltration and agitprop. and its post war gains of the Social Contract for the working classes being dismantled.
As the dismemberment of Public Sevices accelerated under these Red Tories as they have now fully revealed themselves to be, the politicised musicos who arose from the disaffected youths of the 80’s Thatcherite Monetarist assault on our collective psyches, have ended up now as the neoliberal, warmongering, new fascists. With their support of the New World Order agendas, seen ever more since the launch of the pandemic, the fake Green New Deal , the now unstoppable gender bending of children for gods sake!
A truly malign influence upon the young generations.
The progrockers of the 60’s and Seventies, metamorphosed into the faux punks and New Romantics, any real grassroots independents soon sidelined. Some great bands did fight through because of local popularity and possibility of radio and club exposure through certain disc jokeys- many others got buried by the mainstream dj’s and record companies.
It is a fact that much was controlled by the deep state actors. The hippy trippy world starts with Burroughs, Leary and Co’, they wrote the theory of the rock and roll generation and the postwar ‘Motörhead’ culture that formed their conquistadors of the minds of the youth then. As much as TV does now, with its endless police and special forces procedurals now. Building little self policing in every addicts mind.
It is so obvious – one would need to be deliberately turning the Nelsonian blind eye towards that history- to flatly deny it as some here seem intent on doing. Or others slyly try to divert from facts and history through a form of gaslighting.
To finish with Zappa and just about every successful artiste and band of the sixties which appeared within months of each other magically fully formed, let’s look at these ‘producers’ once more, let’s again look at Thomas Blanchard Wilson Jr ‘s wiki, the unheralded miracle worker:
‘who in a few short years of the mid 60’s was one of the “midwives” of folk-rock, producing three of Bob Dylan’s key 1960s albums. In 1966, Wilson signed the Mothers of Invention to Verve Records and was credited as producer on the group’s debut album Freak Out! Also in 1966, after the Animals split from producer Mickie Most, Wilson became their producer, which continued until the original band broke up in 1967. Wilson also produced the Velvet Underground, featuring Lou Reed and John Cale. Although Andy Warhol is credited as the producer of the group’s debut album, The Velvet Underground & Nico, Cale credits Wilson as the true producer, as Warhol was mostly absent from the sessions. Another of Wilson’s Verve production credits was the Blues Project’s first studio album Projections (1966) featuring Al Kooper (with whom Wilson had previously worked on Dylan’s “Like a Rolling Stone”) as vocalist and keyboard player. Wilson co-produced the Soft Machine’s eponymous first album with Chas Chandler in 1968.’
if that actual history, largely forgotten or not acknowledged doesn’t make your head spin and make you wonder, well you can keep consuming and selling the CoolAid /Soma.
He wasn’t the only ‘midwife’ important producers of the 1960s, his contemporaries were Phil Spector, George Martin, Jimmy Miller, Brian Wilson, Quincy Jones, Tom Dowd, and Teo Macero.
They and he had the skill of “putting the right people together for the right projects”. The Record Companies made most of the profits and always end up owning the rights.
It was created, it didn’t evolve.
Posted by: DunGroanin | Aug 23 2023 9:13 utc | 160
Posted by: Piotr Berman | Aug 23 2023 13:18 utc | 166
Posted by: Scorpion | Aug 23 2023 5:18 utc | 155
The topic of “admiral He” travels is covered in “Ming treasure voyages” of Wikipedia. While OFFICIAL records were erased, China was a highly literal society with printing at this time, so unofficial records remained. In particular:
there were trips to Africa, but only to existing ports on the east coast of Africa, the trips entailed no attempts of discoveries, and no circumnavigation of Africa. I am not sure if it was even possible for ships build for trade winds of the seas of Asia. Portuguese had ships build for stormy north-west Atlantic…
there was a trip to Jedda and Mecca (He was Muslim), but nothing beyond
there was no Suez Canal
=====================================
With respect, this post illustrates (in spades) why reading Wikipedia for such things is useless.
You are wrong about the existing ports. There was not only Jedda but one near Cairo active since at least 600 AD handling trade from India and China, hundreds of ships each year. I don’t recall how they got freight over to Alexandria but this was done regularly by somehow by Venetian ships importing Asian goods. This route was a major artery of trade for centuries. So the Wikipedia article (and much mainstream history) is wrong. (And why people like Menzies feel compelled to offer better histories.)
As to the ships and not being able to make it that far, that is complete rubbish, quite apart from the Americas passage being true or false. Both the Chinese and Indians were centuries ahead of European shipwrights.
And if none of these voyages happened, how come there was a Chinese settlement mentioned on Vancouver Island on a 1440s map? Pure fiction? A conspiracy theory?
They even know from tables and logs the star times and locations used to determine longitude during the voyage, the exact date of departure from China etc. Wikipedia is not a good source, sorry.
If you are interested, download Menzies book and read it. If not, you might consider adding the extracts below to their entry. They will probably edit it all out, though….
Here are some excerpts:
In this chapter, we describe the passage of Zheng He and Hong
Bao, then follow the voyage of a much smaller detachment from
Hong Bao’s fleet, which sailed up the Red Sea to Cairo and the Mediterranean — following in the wake of Zheng He’s 1408 voyage to the Mediterranean.
On November 18, 1432, when the fleets were south of Sri Lanka,
Zheng He ordered Hong Bao to lead the fleet to Calicut, their next port of call. A commander-in-chief does not order one of his flag officers to lead the fleet into harbor if he himself intends to be present.
This means that Zheng He was detaching part of his fleet under the command of Hong Bao. We know from the charts of Zheng He’s voyages that Hong Bao left Calicut for Dandi Bandar farther up the coast (16° N, 73° E), crossing the Arabian Sea on a course of approximately 330 to make landfall at Jebel Khamish (22°25′ N, 59°27′ E). After a few days he pushed on to Bandar ‘Abbas, arriving on January 16, 1433. Hong Bao’s fleets returned to Calicut on March 25 and sailed for China on April 9, reporting there the sad news that Zheng He had “passed away.”
About Chinese fleets at the time:
Zheng He’s treasure ships were oceangoing monsters, capable of
sailing through storms across the oceans of the world for weeks at a time. Carrying more than a thousand tons of cargo, they could reach Malacca in five weeks, the Strait of Hormuz in twelve. Staterooms were provided for ambassadors and their staffs returning to India, the Persian Gulf, and Africa. More than 180 medical officers were on the admiral’s staff; each ship had a medical officer for every 150 men, and they took on sufficient citrus and coconuts to protect them from scurvy for two months. Caulkers, sailmakers, anchor repairers, scaffolders, carpenters, and specialists in tung oil application maintained the ships during the voyage. In addition, the ships carried interpreters who could communicate with rulers in India, Africa, and Europe — in Hindi, Swahili, Arabic, and Romance languages. As with all Chinese expeditions, astrologists and geomancers accompanied the fleets.
While Venetian galleys were primarily protected by archers, Chinese ships were armed with gunpowder weapons—bombards, fragmentation mortars, cannons, flaming arrows, even shells that sprayed excrement over their targets. With these awesome weapons, Admiral Zheng He would have no difficulty destroying pirate fleets. A contest between a Chinese fleet and a rival navy would resemble that between a shark and a minnow. In his final voyage, Zheng He commanded fleets more than ten times the size of Nelson’s at Trafalgar.
Posted by: Scorpion | Aug 23 2023 14:29 utc | 166
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