Last week's posts at Moon of Alabama:
See also: Rob Slane at The Blogmire – The Sinking Credibility of the Organisation for the Prohibition of Chemical Weapons
- May 14 – U.S. Increases Risk Of War On Iran Without A Path To De-escalation
- May 15 – The Lunacy Of Waging A War On Iran From Which China And Russia Will Win
John Bolton created the crisis by claiming that Iran put some imaginary missiles on a boat. When Trump told him to stop the campaign, at least for now, the imaginary missile had to be removed. The NYT willingly stenographed the "news": U.S. Officials Say Iran Has Removed Missile Threat From Some Boats
I don't expect that Bolton will let the issue go. He will find or create an incident sufficient to convince Trump to go to war with Iran.
My hunch is that China will -in the end- win through the trade war. Others disagree.
Christopher Whalen at the American Conservative: China Has Already Lost the Trade War
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Other issues:
The movies Hollywood produced are often telling psychological conflicts as the central story. Each character has a certain fixed attitude and the interacting of the characters create the story. It does not matter if the setting is in antic times or in the far future. In the end there are always the bad and the good guy slamming it out in a fistfight.
The historic Chinese drama which I currently favor are based on sociological storytelling. As they develop the stories form their characters. Their attitudes change over time because the developing exterior circumstances push them into certain directions. Good becomes bad and again good. The persons change because they must, not because the are genetically defined. I find these kind of movies more interesting.
This Scientific American piece about Game of Thrones (of which I have seen only half an episode) touches on the differences.
The Real Reason Fans Hate the Last Season of Game of Thrones
It's not just bad storytelling—it’s because the storytelling style changed from sociological to psychological
Use as open thread …