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Humane Restraint
Newsweek has this picture next to a piece The Debate Over Torture:
 John Moore / Getty Images
It is an recent photo by an embedded photographer. The military obviously believes that there is nothing to hide here. The caption to this picture says:
An Iraqi detainee screams "Allah" while tied down in a "humane restraint chair" at the maximum security section of the Abu Ghraib Prison on Oct. 28, 2005. U.S. Army military police said that he had been given two hours in the chair as punishment. The suspected insurgent, a juvenile, had earlier been moved to the maximum-security section of the prison for 30 days for attacking a guard in another section of the facility.
Maybe people do not think this is torture. But is this not inhumane, cruel and degrading treatment? Is this not unusual punishment?
Does the boy in this "humane restraint chair" know why was he arrested?
But the US military thinks this is just fine humane, usual punishment and there is no problem if a Pulitzer price wining professional photographer takes this picture.
Will they ever learn?
Per r’giap’s posts –
Costa Gravas made a very good movie in 1973 about the demise of Dan Mitrione in Uruguay in 1970 at the hands of an urban guerilla group, the Tupamaros. The lightly fictionalized screenplay was written by Franco Solinas, who ealier created the screenplay for “Battle of Algiers.” “State of Siege” was dismissed by many U.S. critics, but Vince Canby/ NYT mostly got it.
Some of Canby’s comments are perhaps more interesting from the perspective of our own times.
Finally, [the movie] is an examination of our capacity to be shocked, a capacity that may have begun to run out with the disclosures about the Bay of Pigs, so that now, when we read the stories about the International Telephone and Telegraph Corporation and Chile, we are as much inclined to laughter as we are to grief or even to surprise. We shrug and ask ourselves, in effect, what will they do next? Self-interest carried to the limit is no longer evil, or a matter for review by one’s conscience, but a kind of dumbfounding rascality, a high form of scalawaggery.
What makes “State of Siege” so harrowing is not that it is all true (I’m not in a position to know), but that it could be true, and all of us could be responsible. This is more important, I think, than carping over details of the film…
and
“State of Siege,” which opened yesterday at the Beekman, also raises the question about what the American Film Institute was up to when it first booked the film to open its new Washington theater at the Kennedy Center. It should have been apparent to anyone who had seen it that “State of Siege” would ruffle a lot of people in Washington, but then to cancel it, as was done last week, suggests incompetence of an order as scary as outright censorship.
Or it suggests the indirect, covert censorship more common in the U.S. One wonders does Canby truly disapprove of AFI incompetence, or is he covering himself in order to report the dust-up? One might settle for even such artful dodges in today’s NYT, if it got the stories out.
Curiously, the NYT posts on the web a more recent, brief review by Hal Erickson, which one has to click through to arrive at the original Canby review. The contrast between the two reviews reflects the sad state of much contemporary critique and analysis, the newer bearing little resemblance to Canby’s review and so little relation to the movie that it is doubtful Erickson ever saw it. Says Erickson in summary:
Despite its up-to-date radicalism, State of Siege adheres to time-honored Hollywood formula, with ugly, vulgar bad guys vs. handsome, articulate good guys.
In fact, contrary to Mr. Erickson’s review, perhaps the most brilliant insight of the movie’s creators was to cast Yves Montand (neither ugly nor vulgar) as Philip Michael Santore/Dan Mitrione. The evil that Santore perpetrates is clear, but the viewer does not see him torture. Throughout the film Montand’s presence is intelligent and sympathetic.
This is a challenge we Americans continually fail to meet: to recognize and turn away from seductive evil, that comes bearing gifts, dressed in modest manners, a common creed, and the cogency of high ideas. Not the jackbooted Nazis, psychopathic foreigners, lawless druglords, Jokers, Penguins, all our cultural shorthand for Manichean villains, with whom we populate our nightmares and our stories, when we imagine face of evil.
Posted by: small coke | Nov 15 2005 6:53 utc | 37
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